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About The Book

Combining “fast-paced historical fiction with a hint of suspense” (Booklist), this epic saga from Julia Kelly explores love, motherhood, and betrayal set against World War II.

Liverpool, 1935: Raised in a strict Catholic family, Viv Byrne knows what’s expected of her: marry a Catholic man from her working-class neighborhood and have his children. However, when she finds herself pregnant after a fling with Joshua Levinson, a Jewish man with dreams of becoming a famous jazz musician, Viv knows that a swift wedding is the only answer. Her only solace is that marrying Joshua will mean escaping her strict mother’s scrutiny. But when Joshua makes a life-changing choice on their wedding day, Viv is forced once again into the arms of her disapproving family.

Five years later and on the eve of World War II, Viv is faced with the impossible choice to evacuate her young daughter, Maggie, to the countryside. In New York City, Joshua gives up his failing musical career to serve in the Royal Air Force and try to piece together his feelings about the family he left behind. However, tragedy strikes when Viv learns that the countryside safe haven she sent her daughter to wasn’t immune from the horrors of war. It is only years later, with Joshua’s help, that Viv learns the secrets of their shared past and what it will take to put a family back together again.

Telling the harrowing story of England’s many evacuated children, Kelly’s The Lost English Girl “will hook readers from the first page” (Publishers Weekly, starred review).

Reading Group Guide

This reading group guide for The Lost English Girl includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book

Introduction

Liverpool, 1935. Raised in a strict Catholic family, Viv Byrne knows what’s expected of her: marry a Catholic man from her working-class neighborhood and have his children. However, when she finds herself pregnant after a fling with Joshua Levinson, a Jewish man with dreams of becoming a famous jazz musician, Viv knows that a swift wedding is the only answer. Her one solace is that marrying Joshua will mean escaping her strict mother’s scrutiny. But when Joshua makes a life-changing choice on their wedding day, Viv is forced once again into the arms of her disapproving family.

Four years later and on the eve of World War II, Viv is faced with the impossible decision to evacuate her young daughter, Maggie, to the countryside estate of the affluent Thompson family. In New York City, Joshua gives up his failing music career to serve in the Royal Air Force, fight for his country, and try to piece together his feelings about the wife and daughter he left behind at nineteen. However, tragedy strikes when Viv finds out that the safe haven she sent her daughter to wasn’t immune from the horrors of war. It is only years later, with Joshua’s help, that Viv learns the secrets of their shared past and what it will take to put a family back together.

Telling the harrowing story of one of England’s many evacuated children during World War II, The Lost English Girl explores how one choice can change the course of a life, and what we are willing to forgive to find a way back to the ones we love and thought lost.

Topics & Questions for Discussion

1. When Viv discovers that she is pregnant—or has “gotten herself into trouble”—after only two dates with Joshua, they both know they must marry as soon as possible so that the child will be considered “legitimate”—born to a legally married couple. Viv’s other options fill her with terror. She’d be sent away to “one of those hospitals,” she says. “And the other ways . . . I just can’t do it” (page 261). Discuss the meaning of the frightening alternatives Viv references and the expression “getting oneself into trouble.” Why is the child’s legitimacy via marriage so important in the era in which the book is set? Discuss other customs, values, and social expectations in the book that limit and trap Viv and other women of her time.

2. How might Viv’s and especially Joshua’s lives have played out if this story was set in a Nazi-occupied region of Europe during World War II?

3. Not only does Joshua immediately “do the right thing” (page 262) by asking Viv to marry him, but he promises to stand by her side as a husband and father. Then, just minutes after they’re married at the Liverpool Register Office, Joshua accepts money from Viv’s parents—enough to get him to New York City to pursue his musical ambitions, to finally be free—so long as he agrees to the Byrnes’ terms that “you will leave and never come back. You won’t write. You won’t visit. You will leave my daughter alone” (page 12). What do you make of Joshua’s decision to break his promise to Viv and forever estrange himself from her and their child after he had been so quick to offer himself as a husband and father?

4. Can you empathize with Joshua’s decision to “snatch his freedom” (page 13) and take advantage of what could be his only chance to try to become a famous musician? What would you do if you were in Joshua’s shoes and someone offered you enough money to pursue your greatest passion and realize your lifelong dreams?

5. The surprising series of events following the wedding are written from Joshua’s point of view, and the reader is privy to his internal dialogue as he rationalizes taking the Byrnes’ money: “He knew that he was destined for so much more than the two-bedroom flat above his father’s shop” (page 10). Joshua interprets Viv’s and his family’s dismay at and objections to his decision as testimony that they don’t, and never did, believe in him or his talent. He is convinced that they are holding him back and think he will fail. “This is my life too!” he exclaims. “I won’t give it up.” (page 13) What does Joshua’s reaction say about him and his sense of self? If this scene was written from Viv’s point of view, what might she be thinking? What about Joshua’s father? Or Rebecca?

6. At the end of the book, Joshua’s actions take on an almost complete reversal when he chooses to sacrifice his permanent gig with a band and the chance to record an album—the very things he’s always dreamed of—to return to Liverpool and be a father to Maggie. Discuss the elements of Joshua’s character arc.

7. According to the Author’s Note, on the eve of World War II, Operation Pied Piper officially relocated approximately 1.5 million children and vulnerable people from England’s urban centers to the countryside to keep them safe from aerial attack. If you found yourself presented with the conundrum faced by many parents of children under the age of five (the minimum age for the government evacuation program), like Viv, what would you do? Discuss the considerations and emotions of such a decision.

8. Life during wartime is filled with sacrifices small and large, from food rationing to the separation of children from their parents. Discuss the different sacrifices that the characters in the book make, not only due to the war but due to circumstances including time, place, class, religion, and duty. What sacrifices seem “fair” vs. “unfair” in the context of life in the 1930s and 1940s? Can some of these “sacrifices” be positive? Discuss Viv’s job as a postie during the war.

9. What were your initial expectations about what would happen to Maggie and how she might be treated when she is first sent to live with the Thompsons? What elements of her experience as an evacuee surprised you?

10. Discuss Viv and Maggie’s reunion. Viv is understandably furious with the Thompsons for stealing her daughter, while Maggie is understandably frightened and uncertain about leaving her comfortable life with the people she has known as Mother and Father for five years. Do you think it’s fair to empathize with the Thompsons as well as Viv?

11. Weak men are abundant in this story. Some are identified explicitly, as in the cases of Mr. Byrne and Mr. Thompson—“Mr. Byrne had been the epitome of a weak man” (page 334); “Mr. Thompson was a weak man” (page 358)—and others by their actions, such as Joshua at the beginning of the book. Discuss other male characters that prove themselves “weak.” How do you feel about Mrs. Byrne and Mrs. Thompson when you compare them to their weak-natured husbands?

12. Discuss Father Monaghan’s character and actions. Do you believe that he thought he was doing the right thing by giving Maggie a “respectable Catholic home” (page 354)?

13. What do you make of Moss’s response to Viv when she asks him if he sought Joshua’s forgiveness after Joshua saved his life despite Moss’s harsh, prejudicial treatment of him: “The way I see it, it isn’t his responsibility to forgive me. It’s my responsibility to try to atone and one day, if I’m very lucky, he may find it in his heart to accept that” (page 331)? To what degree might this perspective have influenced Viv’s staunch resistance to forgiving Joshua for abandoning her?

14. Discuss the subject of forgiveness throughout the book. When do you think it’s fair to withhold forgiveness from someone who seeks it? Can people change?

Enhance Your Book Club

1. In the Author’s Note, Julia Kelly shares that the idea for The Lost English Girl came from “one of those old family legends that are fascinating but scant on details” (page 397). Does your family have any of these dynamic and sensational legend-like stories passed down through the years? Share among your group.

2. In the Author’s Note, Julia Kelly cites the book When the Children Came Home: Stories of Wartime Evacuees by Julie Summers as a source containing numerous accounts of children who were sent from their urban homes to the countryside during the war for their safety. Before or during your reading group meeting, read and discuss the introduction and chapter one of the free preview of When the Children Came Home: Stories of Wartime Evacuees available on Google Books. Perhaps assign When the Children Came Home: Stories of Wartime Evacuees as your next or a future book club pick to explore the topic discussed in The Lost English Girl through a nonfiction lens.

3. During World War II, women in England, as well as the United States, joined the workforce, taking jobs that were previously off-limits because they were considered unsuitable, dirty, or difficult. For a lot of women, this opportunity to break free from the monotony of “keeping house” was a welcome change. In The Lost English Girl, Viv takes a job as a postie and revels in the escape from her homelife, the freedom in making money of her own, and the friendships she forges with her fellow female posties. Similarly, Rebecca takes advantage of women’s conscription in 1940 by choosing to join the WRNS as a radar plotter. Do a quick Internet search to discover what other employment opportunities became available to women in England and the United States during the war. Which ones sound most appealing to you? What job would you have been most likely to take to contribute to the war effort?

About The Author

Scott Bottles

Julia Kelly is the award-winning author of emotional historical novels about ordinary women in extraordinary circumstances and thrilling historical whodunnit mysteries. In addition to writing, she’s been an Emmy-nominated producer, journalist, marketing professional, and (for one summer) a tea waitress. Julia called Los Angeles, Iowa, and New York City home before settling in London with her husband. Readers can visit JuliaKellyWrites.com to learn more about all her books and sign up for her newsletter so they never miss a new release.

Product Details

  • Publisher: Gallery Books (March 7, 2023)
  • Length: 416 pages
  • ISBN13: 9781982171728

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