Nothing Daunted

The Unexpected Education of Two Society Girls in the West

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About The Book

This exhilarating saga about two intrepid young women who leave the affluence of their New York home to teach school on the Western frontier in 1916 is authentically created using actual letters home and interviews with descendants.

Dorothy Woodruff and Rosamond Underwood attended grade school and Smith College together, spent nine months on a grand tour of Europe in 1910, and then, bored with society luncheons and chaperoned balls and not yet ready for marriage, they went off to teach the children of homesteaders in a remote schoolhouse on the Western Slope of Colorado. They traveled on the new railroad over the Continental Divide and by wagon to Elkhead, a tiny settlement far from the nearest town. Their students came to school from miles away in tattered clothes and shoes tied together with string.

Dorothy Woodruff was the grandmother of New Yorker executive editor Dorothy Wickenden. Nearly one hundred years later, Wickenden found the buoyant, detailed, colorful letters the two women wrote to their families. Through them, she has chronicled their trials in the classroom, the cowboys and pioneering women they met, and the violent kidnapping of a close friend. Central to their narrative is Ferry Carpenter, the witty, idealistic, and occasionally outrageous young lawyer and cattle rancher who hired them, in part because he thought they would make attractive and cultivated brides. None of them imagined the transforming effect the year would have—on the children, the families, and the teachers.

Wickenden set out on her own journey to discover what two intrepid Eastern women found when they went West, and what America was like at that uncertain moment, with the country poised for the First World War, but going through its own period of self-discovery.

Drawing upon the letters, interviews with descendants, research about these vanished communities, and trips to the region, Wickenden creates a compelling, original saga about the two intrepid young women and the “settling up” of the West.

Excerpt
Nothing Daunted PROLOGUE




Miss Underwood (left), Miss Woodruff, and Elkhead students, 1916

One weekend afternoon in the fall of 2008, at the back of a drawer in my old wooden desk at home, I came across a folder I had forgotten. “Dorothy Woodruff Letters, Elkhead 1916–17.” My mother had given me the file when my children were young, and I had put it away, intending to look through it, but life had intervened. I glanced at the first letter. Dated Friday, July 28, 1916, it was written on the stationery of the Hayden Inn. At the top of the sheet was a photograph of a homely three-story concrete-block house with a few spindly saplings out front. The inn advertised itself as “The Only First-Class Hotel in Hayden.” Dorothy wrote: “My dearest family: Can you believe that I am actually far out here in Colorado? ”

She and her close friend, Rosamond Underwood, had grown up together in Auburn, New York. They had just arrived after a five-day journey and were preparing to head into a remote mountain range in the Rockies, to teach school in a settlement called Elkhead. Dorothy’s letter described their stop overnight in Denver, their train ride across the Continental Divide, and their introductions to the locals of Hayden, whom she described as “all agog” over them “and so funny.” One man could barely be restrained “from showing us a bottle of gall stones just removed from his wife!” She closed by saying, “They are all so friendly and kind—and we are thrilled by everything. We start now—four hours drive. Goodbye in haste. . . .”

Dorothy Woodruff was my grandmother. As I began reading the letters, I recognized her voice immediately, even though they were written by a young woman—twenty-nine years old, unmarried, belatedly setting out on her own. An avid correspondent, she captured the personalities of the people she met; the harsh landscape; her trials with a classroom of unruly young boys; and her devotion to Rosamond, known to my brothers and me as “Aunt Ros.” I also was struck by their unusually warm friendship with two men: the young lawyer and rancher who hired them, Farrington Carpenter; and Bob Perry, who was the supervisor of his father’s coal mine. They were eighteen hundred miles away from their families, and from decorous notions about relations between the sexes.

The letters revealed the contradictions of Dorothy’s upbringing. She was a daughter of the Victorian aristocracy. Her forebears, like Rosamond’s, were entrepreneurs and lawyers and bankers who had become wealthy during the Industrial Revolution. In 1906, the young women were sent to Smith, one of the earliest women’s colleges, and afterward, they were indulged for a year with a grand tour of Europe, during which they saw their first “aeroplane,” learned how to blow the foam off a mug of beer, expressed disdain for the paintings of Matisse, and watched Nijinsky dance. Then, like other girls of their background, they were expected to return home to marry, and marry well.

Yet they had grown up surrounded by the descendants of some of the most prominent reformers in American history, including the suffragists who organized the first women’s rights convention in Seneca Falls, fifteen miles west of Auburn; and the man who overturned barbaric penal practices at the Auburn state prison, Sing Sing, and penitentiaries across the country. Auburn was a stop on the Underground Railroad, and some of the families they knew had hidden runaway slaves in their basements. Dorothy’s grandfather lived next door to William Seward, President Lincoln’s secretary of state. One day when she was visiting my family in Weston, Connecticut, she recorded an oral history, speaking with unerring precision about her childhood and about her time in Colorado. Retrieving the transcript of the tape, I was reminded of the breathtaking brevity of America’s past.

I remember Dorothy as white-haired, impeccably attired, and sometimes stern. The second youngest of seven children, she grew up in a big hipped-roof clapboard house staffed by servants. Her bedroom and that of her younger sister, Milly, were in the nursery, reached by the back stairs. Raised largely by their nursemaid, they rarely stepped into the kitchen. When Dorothy’s four children were growing up, she didn’t know how to cook anything except creamed potatoes and hot cocoa. Every night she brushed her hair a hundred strokes with a French boar-bristle brush. She joked to us about her height—four feet eleven and shrinking every year. To reach her high mahogany four-poster bed, inherited from her parents, she had to use a footstool upholstered in needlepoint.

She gave me tips in etiquette: how to file my nails, how to set a formal table, how to avoid acting “common.” When I was a slouching teenager, she showed me how she had been taught to walk across the room with a book balanced on her head. On my eighteenth birthday, she wrote to me: “To be happy it is necessary to be constantly giving to others. I do not mean to give in work alone—but all of your self. That means interest in other people—not only by affection—but by kindness.” She didn’t like the fashions of the 1970s—curtains of hair, tie-dyed T-shirts, and tight bell-bottoms—and once told me haughtily, “I never wore a pair of trousers in my life.”

For all that, she was spirited and funny—not at all the deferential young woman she had been brought up to be. After she and Ros returned from Europe, they attended friends’ weddings, along with traditional luncheons and balls, but six years later, they were still uninterested in the suitors who were interested in them. Chafing at the rigid social routines and not getting anywhere with the ineffectual suffrage work they had taken on, they didn’t hesitate when they heard about two teaching jobs in Colorado. The nine months my grandmother spent there seemed to have shaped her as much as her entire youth in Auburn. She was full of expansive admiration for the hardworking people of Elkhead, and when she faced great personal difficulties of her own, she called to mind the uncomplaining endurance she had witnessed in the settlers and their children.

She and Ros, like other easterners going west, were time travelers, moving back to the frontier. Although they ventured out after the first settlers, and went by train rather than covered wagon, their destination felt more like 1870 than 1916. They took with them progressive ideas about education, technology, and women—and postcards from their travels abroad. The homesteaders—motley transplants from across the country, Europe, and Russia—lived almost twenty miles north of Hayden. Effectively cut off from modern life by poverty and the Rocky Mountains, the pioneers found the two women as exotic as Dorothy and Ros found them.

Although World War I was looming, such a cataclysm was unimaginable to Americans who knew nothing of combat. Dorothy sometimes talked disparagingly about her grandfather’s brother, who had avoided service in the Civil War by paying a substitute to take his place—a common practice among wealthy families in the North. Just weeks before Dorothy and Ros left for Colorado, President Wilson averted war with Mexico. The prevailing spirit among the elites of Auburn, the industrialists of Denver, and the homesteaders of Elkhead was an exhilarating optimism about the future.

These people were swept up in some of the strongest currents of the country’s history: the expulsion of native tribes; the mining of gold, silver, and coal; the building of a network of railroads that linked disparate parts of the country and led to the settlement of the West; the development of rural schools; the entry of immigrants, African-Americans, and women into the workforce and the voting booth; even the origins of modern dance. Their lives were integral to the making of America, yet the communities they built, even their idioms, had all but vanished.

As I got to know the children and grandchildren of the people my grandmother told us about, I began to see her story as more than a curious family history. It was an alternative Western. There were strutting cowboys and eruptions of violence, but the records the residents left behind turned out to be full of their own indelible characters and plot twists. Dozens of descendants in Denver, Steamboat Springs, Hayden, Elkhead, and Oak Creek had kept their family memorabilia from that year. Rebecca Wattles, a rancher in Hayden and the granddaughter of the secretary of the Elkhead school board, showed me the 1920 yearbook of the first five graduates of the school, all of whom had been Ros’s students. They wrote: “It isn’t the easiest thing in the world to buck trail for two or three miles when the trail is drifted and your horse lunges and plunges; nor yet to ski, when the snow is loose and sticky. But, if as we are told, it is these things that develop grit, stick-to-it-ive-ness, and independence—well, the children who have gone to school in Elk Head, ought surely to have a superfluous amount of those qualities.”

One Sunday in early October 2009, my husband and I pulled up to an old white Georgian house on a cul-de-sac in Norwalk, Connecticut. We were greeted at the front door by Peter Cosel, one of Ros’s grandsons. He appeared to be mildly amused by my mission: a search for the letters that Rosamond had written from Elkhead. For a year I had been pestering him about going through the boxes he had in storage there. Peter called his brother Rob, also a lawyer, who arrived just as we finished a cursory examination of the attic treasures, including a trunk filled with papers dating back to the 1850s from a branch of the Underwood family that had settled in Chicago.

I sat on the floor in front of a sagging box, blackened on the bottom from mildew and eaten away in spots by a squirrel, and began to unpack it, setting aside a stack of five-year diaries—fastidious chronicles by Ros’s mother of her family’s daily life in Auburn. Peter absently combed through some business documents of his great-grandfather’s, a man named Sam Perry, who—I soon learned—was one of Denver’s “empire builders,” a financier of the railroad that Dorothy and Ros rode over the Continental Divide. Rob sat on the edge of the bed and talked about childhood visits to their grandmother’s rustic summer cabin in the hills of Strawberry Park outside Steamboat Springs. Then my husband handed me a two-page typewritten letter. In the upper-right corner, it said, “Saturday Night. Aug. 6.” I looked at the closing: “Dotty and I can hardly believe that this school is really ours to command! . . . Lovingly ROSAMOND.”

Ros’s entire correspondence was there, each letter typed, folded, and numbered by her mother. The letters had been written to her parents, who, like Dorothy’s, had left them for her children and grandchildren. Unwinding the string of a thick legal envelope, I looked inside. It contained dozens of articles and letters from October 1916. They confirmed the most improbable of all the tales my grandmother had told us, about the violent kidnapping of one of their friends. Sensational headlines were spread across the front pages from Denver to Los Angeles: HOW THE MILLIONAIRE’S SON WAS KIDNAPPED AND HELD FOR RANSOM; EXTRA! KIDNAPPER IS SLAIN.

All of these papers and recollections, with their idiosyncratic details about the “settling up” of northwestern Colorado, provided a backstory to America’s leap into the twentieth century. And they filled out the saga about two cosseted women from New York who shunned convention to head out to what was still, in many ways, the Wild West.
Reading Group Guide
This reading group guide for Nothing Daunted includes an introduction, discussion questions, ideas for enhancing your book club, and a Q&A with author Dorothy Wickenden. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book.

Introduction

In 1916, two restless society girls from Auburn, New York, left behind their charity balls and ten-course luncheons for the mountains of the West. Dorothy Woodruff and Rosamond Underwood abandoned the refinements of Victorian life to teach in Colorado—traveling by train to Denver, and then to the remote town of Hayden, before riding in a wagon up the mountains to an isolated settlement called Elkhead. Their students, the children of homesteaders, came to school from miles away in rags and bare feet. Nearly 100 years later, Dorothy Wickenden, the granddaughter of Dorothy Woodruff, came across the extraordinarily detailed letters these two women wrote to their families from Elkhead—about their teaching, the friends they made, the idiosyncratic characters they met, and their adventures throughout the county. Nothing Daunted is a lyric and exhilarating portrait of two young women who find themselves by leaving beyond what was most familiar.

Topics & Questions for Discussion

 1.   In the Prologue, Wickenden calls Ros’s and Dorothy’s adventure “an alternative Western.” What do you think she means by this? After finishing the book, do you agree? How does their story compare to your idea of the classic “Western”?

2.      Dorothy and Ros, Wickenden writes, were “bothered by the idea of settling into a staid life of marriage and motherhood without having contributed anything to people who could benefit from what talents and experiences they had to offer.” (p. 29) How does this statement influence your perspective of Ros and Dorothy? What did they eventually pass along to the students of Elkhead? What did they learn from their students and their families? 

3. How are Ros and Dorothy different from each other? How are they similar?

4.      Each chapter opens with a photograph—from Dorothy teaching her students in 1917 in Chapter 10 to Bob Perry outside his cabin in Chapter 14. How did these pictures shape or enhance your reading of Nothing Daunted? How did they add to your understanding of the setting and time period?

5.      Similarly, how did the inclusion of letters and notes enhance your reading? Was there one particular or memorable correspondence that stood out to you?

6.      William H. Seward was known as a firebrand for representing the black defendant in a notorious murder case and for befriending abolitionist Harriet Tubman. What influence did Seward, Tubman, and other strong personalities in Auburn have on Dorothy and Ros?

7.  How would you define Ros and Dorothy’s teaching experience in one word? How did people react to their arrival in Elkhead? How did the girls’ families react to their decision to leave the comforts of their homes in Auburn?
8.      How would you describe Ferry Carpenter? Wickenden writes that he “believed that American democracy was born on the frontier.” (p. 65) What effect did the lawlessness and opportunities of the West have on Ferry’s imagination and aspirations? How did the frontier influence Ros and Dorothy?

9.      Discuss the title of the book. Do you think it refers to the heroines’ courage? What kind of education did Dorothy and Ros themselves receive in the West?

10.   After Ros and Dorothy applied to be teachers, Ferry was told that one of the applicants “was voted the best-looking girl in the junior class of Smith College!” What advantages—educational, social, physical—did Ros and Dorothy have over other applicants? What were their potential disadvantages?

11.  Ros and Dorothy received nearly identical scores on their Colorado teacher’s exams. Ros wrote to her mother: “I think Mrs. Peck must have been perjuring her soul, to give [those scores] to us.” (p. 161) What did she mean?

12.  How did the structure of the narrative, with its flashbacks to the past and flash-forwards to the current day, influence how you read Nothing Daunted?

13.  Do you think anyone else could have written this story about Ros’s and Dorothy’s time in Colorado? How would the story have been different if it was not written from the perspective of a family member?

Enhance Your Book Club 

1.      Wickenden writes that Dorothy “recorded an oral history, speaking with unerring precision about her childhood and about her time in Colorado. Retrieving the transcript of the tape, I was reminded of the breathtaking brevity of America’s past.” Try recording a brief oral history of your own, perhaps about an important trip you took, a big event in your family, or some other significant milestone. Did you remember details from the story by saying it aloud that you had forgotten? 

2.      Find some old letters, post cards, diaries, or other artifacts of your family’s past. After carefully reading and taking notes on their contents, write a short narrative of an event from within—a trip, a wedding, or some other event. Be sure to include whatever details you can to give it real shape.

3.      Prepare some recipes that have been passed down in your family. Perhaps, like the miners of Oak Creek, members of your family were immigrants, bringing recipes with them. Alternatively, look through a relative’s cookbook for something you’ve had with them before. Bring the dish to your book club meeting and share the history of the dish. 

A Conversation with Dorothy Wickenden

You write that you remember your grandmother being “impeccably attired and sometimes stern.” But the picture of her in the book is of a loving teacher. What did you learn from writing this book about your grandmother that changed your idea of her?

My sense of her wasn’t changed as much as it was enhanced. I was surprised at how readily she and Ros adapted to a life that, as she described it in one of her letters, was “real living, with none of the frills which fill up so much of our lives at home.” It was also extraordinary to get a full, unfiltered, picture of her, from her letters, at the age of 22 in Europe, and then at 29 in Colorado.

 
You write of the forced removal of the Utes, the treacherous laying of the rail up Hell Hill, and the dangerous conditions of the coalmines. Why were these stories important to you in setting the scene for Hayden?

Dorothy and Ros knew almost nothing about the settling of the West. Dorothy wrote about the men who built the railroad that took over the Continental Divide, “I can’t imagine how they ever did it.” Similarly, Ros wrote after their tour of a mine, “I never appreciated ‘coal’ before.” I had the advantage of hindsight, and knew, even before I began the research, that the often-harrowing experiences of the early pioneers would provide a compelling backdrop for their own exuberant discoveries. 

 
Nothing Daunted is an extension of a much-beloved New Yorker article. Can you describe the process of turning an article into a full-length book? How did you arrive at the right structure for this story?

The New Yorker captured Dorothy and Ros during their year in Colorado. I knew from my grandmother’s stories when I was growing up, and her oral history, that she had been brought up to lead a very different kind of life, and that the history of Auburn alone was full of compelling material about 19th- and early-20th-century industrial America. The little towns in the West, like Hayden, the coal town of Oak Creek, and even tiny Elkhead, were rushing to catch up to the East. I wanted to show the lives of people who often don’t find their way into history books, even though they played an important role in the building of the country. One way to do that, I thought, was to tell the stories about the men and women who created these communities.

The structure took some work. I wanted to juxtapose their years leading up to their decision to go west with my hero’s, Ferry Carpenter. This ruled out a straight chronology, and required some splicing and flashbacks. But I tried throughout to keep the focus on Dorothy and Ros.

    
When Bob Perry is kidnapped, you narrate action with novelistic details like “when Perry instinctively ordered him to put it back, the tall man grabbed it and threw it to the table.” What were some of the research methods you used to get such great details? How did you choose and refine raw information to craft a story from it?

Virtually all of that action was taken from court transcripts of the inquest held over the miner whom Perry shot when he escaped from his captors. There were also newspaper stories that recounted the kidnapping. One of the things I found in the attic boxes of the Perry family was a letter from a Greek miner in Oak Creek who begged Perry—who managed the largest mine there—not to blame all of the Greek workers. 

 
In your opinion, is there a modern-day frontier that works the same magic on our imaginations and our culture today?

There’s nothing quite like the old West to inspire the American imagination, and the frontier is long gone, but you still see an idealistic yearning, to help out and to explore, in college students who spend their junior year in Bangladesh, and post-grads who join Doctors Without Borders—or, for that matter, Teach for America. Wendy Kopp’s vision about improving substandard schools in benighted parts of the country is a modern, institutional, version of what Ferry Carpenter was experimenting with in Elkhead. 

 
How long did the research for this book take?  Did you travel much to Colorado? To Auburn?

The research began in the fall of 2008, when I started my New Yorker article, “Roughing It,” I went to Auburn, and several times to Colorado, where I wanted to experience the summer and the winter in Elkhead. I rode a horse from the spot where Dorothy and Ros lived with a homesteading family to the schoolhouse, to get a sense of what their commute was like. I also wanted to learn as much as I could about the history of Denver, the railroad over the Continental Divide, Steamboat Springs, Oak Creek, Hayden, and Elkhead. The museums and libraries along the way were invaluable, as were the descendants of many of my characters.

What advice do you have for others who want to get to know their family histories?

I was lucky that my mother and aunt had saved Dorothy’s letters and recorded her oral history. If available, that’s the best place to begin—with any firsthand accounts that you can find. Interview surviving family members, who may remember more than they think they do about stories that have been passed down. These accounts contain extraordinary clues to help with the rest of the hunt. A passing reference my grandmother made to a visit she and Ros made to a palatial estate in Cannes in 1911 led me to the Cannes Municipal Archives. The staff knew the villa and sent material on its history—including the date it was bought by Dorothy’s mother’s cousin. There are also great genealogical and other resources online, including Google Books, and every town I looked into had good histories of its early years and inhabitants.
About The Author
Photograph © Rex Bonomelli

Dorothy Wickenden is the author of Nothing Daunted and The Agitators, and has been the executive editor of The New Yorker since January 1996. She also writes for the magazine and is the moderator of its weekly podcast The Political Scene. A former Nieman Fellow at Harvard, Wickenden was national affairs editor at Newsweek from 1993-1995, and before that was the longtime executive editor at The New Republic. She lives with her husband in Westchester, New York.

Product Details
  • Publisher: Scribner (June 2011)
  • Length: 304 pages
  • ISBN13: 9781439176580
Raves and Reviews

"From the elite ethos of Smith College to the raw frontier of northwestern Colorado, two friends dared to defy the conventions of their time and station. Dorothy Wickenden tells their extraordinary story with grace and insight, transporting us back to an America suffused with a sense of adventure and of possibility. This is a wonderful book about two formidable women, the lives they led--and the legacy they left."—Jon Meacham, Pulitzer Prize-winning author of American Lion

“In Nothing Daunted, Dorothy Wickenden has beautifully captured a world in transition, a pivotal chapter not just in the life of her bold and spirited grandmother, but also in the life of the American west. Dorothy Woodruff and her friend Rosamond are like young women who walked out of a Henry James novel and headed west instead of east. Imagine Isabel Archer wrangling the ragged, half-wild children of homesteaders, whirling through dances with hopeful cowboys, and strapping on snowshoes in the middle of the night to urge a fallen horse onto an invisible trail in high snowdrifts, and you’ll have some idea of the intense charm and adventure of this remarkable book.”—Maile Meloy, author of Both Ways Is the Only Way I Want It

“A superb, stirring book. Through the eyes of two spirited and resourceful women from the civilized East, Wickenden makes the story of the American West engaging and personal. A delight to read.”--Susan Orlean, author of The Orchid Thief

“The adventures of two well-bred Yankee ladies in the still wild West makes a remarkable, funny story. But evoked through Dorothy Wickenden's skillful use of letters, diaries, and memoirs, Nothing Daunted is also a slow parade through young America. Cowboys carefully-mannered before the ladies; the bare-legged, ragged children in their brand-new school; winter sleigh rides under the new moon—all these moments have been preserved, their colors fresh for modern wonderment: A haunting evocation of a vanished world.”—Caroline Alexander, author of The Bounty and The War that Killed Achilles

“Dorothy Wickenden was lucky to have such intriguing forebears...but the satisfying depth and vivacity of Nothing Daunted, the intimate, report-from the ground American saga the author has created with that correspondence as a foundation, have nothing to do with good fortune. Wickenden’s talents for research, observation, description, and narrative flow turn this unfaded snapshot of these early-20th-century women in the West into something even more resonant—a brightly painted mural of America under construction a century ago, personified by two ladies of true grit who were nothing daunted and everything enthusiastic about where the new century would take them.”Entertainment Weekly

“Wickenden has painstakingly recreated the story of how that earlier Dorothy and her friend Rosamond Underwood embarked on a brief but life-changing adventure, teaching the children of struggling homesteaders... Wickenden lets their tale of personal transformation open out to reveal the larger changes in the rough-and-tumble society of the West...Fascinating...scenes emerge with a lovely clarity”—Maria Russo, New York Times Book Review

“A superb biography... Wickenden summons up the last moments of frontier life, where books were a luxury and, when blizzards hit, homesteader’s children would ski miles to school on curved barrel staves... Nothing Daunted also reminds us that different strains of courage can be found, not just on the battlefield, but on the home front, too.”—Maureen Corrigan, Fresh Air

“An enchanting family memoir…A brilliant gem of Americana.”Washington Post Book World

“Wickenden brings to life two women who otherwise might be lost to history and who took part in creating the modern-day West.”—Publishers Weekly

“A compelling story...”—Pittsburgh Post-Gazette

“Wickenden is a very good storyteller, and bracingly unsentimental. The sweep of the land and the stoicism of the people move her to some beautiful writing.”—Joan Acocella, Newsweek

"Wickenden uses personal history to illuminate the larger story of manifest destiny."--The New Yorker

"A great story, with a richly appealing character at the center...a tale of the triumph of determination over adversity...wonderfully American."--Slate

“Dorothy Woodruff and Rosamond Underwood come alive in Nothing Daunted, Dorothy Wickenden’s fascinating slice of social history... Their story is blessed with a cast of supporting characters that novelists would envy.”—USA Today

“Wickenden is a lucky and talented writer... Both women spring to life in this wonderful book.”—Houston Chronicle

“Lovingly pieced together.”Los Angeles Times

“Scrupulously researched... Both an entertaining and an edifying read, bringing early 20th-century Colorado to vivid life.”--Bookpage

“Century-old letters composed in the wilds of Colorado by two young schoolteachers provide the backbone of this stirring narrative.”--Newsweek

“Dorothy Wickenden’s recounting of her grandmother Dorothy Woodruff’s treacherous cross-country journey is as charming as it is rugged... This is Little House on the Praire in petticoats, and it is enchanting.”—Rachel Syme, NPR.org

“Dorothy Wickenden has crafted an exquisite book.”Boston Globe

“A rich narrative... Nothing Daunted is an extraordinary book.”—Denver Post

“An intimate and joyful work that captures the best spirit of the 1910s—and today.”—Shelf Awareness

“Woodruff’s breezy letters could easily have stood on their own, but Wickenden chose to shape them into a narrative...Her instinct was right: Nothing Daunted is at once enjoyable and enlightening.”American Way

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