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Table of Contents
About The Book
Originally published in 1926, The Sun Also Rises helped cement Ernest Hemingway's status as the one of the greatest writers of the twentieth century. A poignant look at disillusionment and angst, the novel introduces two of Hemingway’s most indelible characters: Jake Barnes and Lady Brett Ashley.
The story follows the flamboyant Brett and the hapless Jake as they journey from 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is set during an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. The story lays bare themes of alienation and disenchanted youth.
Hemingway's first novel is “an absorbing, beautifully and tenderly absurd, heartbreaking narrative...a truly gripping story, told in lean, hard, athletic prose” (The New York Times).
Reading Group Guide
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Topics and Questions for Discussion
1. Consider the novel’s first epigraph: “You are all a lost generation.” How do the characters in the novel seem lost? What can you extrapolate about the Lost Generation from Hemingway’s portrait?
2. The characters in The Sun Also Rises were based on people in Hemingway’s life. What responsibility does an author have—if any—when drawing inspiration from real people? How do you think relationships and life experiences inform the creative process?
3. Why do you think this novel is one of Hemingway’s most enduring works? What about the story continues to resonate with readers? In what ways does the novel still feel contemporary?
4. Consider Jake’s fishing trip to the Irati River. How is the natural world depicted in the novel? How does it echo and refract the larger themes of the book?
5. On page 9, Jake says: “Nobody ever lives their life all the way up except bull-fighters.” How does the novel depict bullfighting from both an aesthetic and philosophical perspective? How does Hemingway’s depiction of bullfighting function as social commentary?
6. Throughout the novel, Jake’s war injury is alluded to but never described directly. Why do you think Hemingway made this narrative choice?
7. Jake and Brett are both haunted by the atrocities of war. How do their coping mechanisms differ? In what ways do their survival strategies overlap?
8. When we first meet Brett at the dancing club (page 17), we see that she is “very much with” a group of men. How does Brett upend traditional gender roles?
9. The guiding principle of Hemingway’s writing was the “iceberg theory” or the “theory of omission,” in which deeper meaning is not stated explicitly but exists beneath the surface. How is Hemingway’s iceberg theory on display in this novel? Were there any omitted moments that you wish had been included?
10. Is The Sun Also Rises a tale of unrequited love? What does the novel have to say about the relationship between sex and intimacy?
11. On page 169, just before Pedro Romero’s bullfight, Brett says, “Funny . . . how one doesn’t mind the blood.” Why is Brett the perfect muse for Romero? What does the novel have to say about our cultural attitudes toward violence?
12. What do you make of the final scene? What glimmers of hope beckon within Jake’s and Brett’s revelations?
13. Why do you think Hemingway chose the title The Sun Also Rises?
Enhance Your Book Club
1. Read Hemingway’s short story “A Clean Well-Lighted Place.” Do you see any thematic overlap? Why is the café milieu so important to Hemingway?
2. Watch Ken Burns’s documentary miniseries Ernest Hemingway. How does learning more about his life and hearing from other novelists inform your impression of Hemingway?
3. Brett Ashley, like Daisy Buchanan in The Great Gatsby, embodies the flapper aesthetic. Read The Great Gatsby and talk about how Hemingway and Fitzgerald depict women of the era.
Product Details
- Publisher: Scribner (May 22, 2014)
- Length: 228 pages
- ISBN13: 9781476770215
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Raves and Reviews
“An absorbing, beautifully and tenderly absurd, heartbreaking narrative... a truly gripping story… magnificent.”
—The New York Times
“The Sun Also Rises is a novel of great silence. Something central is hidden, which the reader discovers little by little. The characters are rich, interesting, fascinating, and a little bit tragic, as Hemingway's characters always are.”
—Mario Vargas Llosa
“Hemingway writes as if he had never read anybody’s writing, as if he had fashioned the art of writing himself.”
—The Atlantic
“The Sun Also Rises introduced me to a kind of exotica, a glamour, a life that I couldn’t believe. I was seduced by it.”
—Edna O’Brien
Resources and Downloads
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Author Photo (jpg): Ernest Hemingway Earl Theisen, 1953(0.5 MB)
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