Eve is unemployed after leaving university and is immediately conscripted as a soldier working for a corporation and discovers just how South American countries are being exploited to create food needed to feed the increasing population for their profit under the guise of western paternalism. Written in the late 80s by Pat Mills (Nemesis the Warlock, Slaine) but even more relevant today as the concerns about global capitalism are even more pronounced in the public consciousness. Carlos (Judge Dredd) Ezquerra's painted colour artwork is a highlight of his long and distinguished career.
PAT MILLS is the creator and first editor of 2000AD. He developed Judge Dredd and is the writer-creator of many of 2000AD’s most popular stories such as Sláine, Nemesis and ABC Warriors. Amongst his credits are Marshal Law, (Marvel and D.C. Comics) co-created with Kevin O’Neill, the French graphic novel series Requiem, Vampire Knight with artist Olivier Ledroit, and Be Pure! Be Vigilant! Behave! The Secret History of 2000AD and Judge Dredd. His current projects include Joe Pineapples: Tin Man, illustrated by Simon Bisley and Clint Langley, Spacewarp, and Kiss My Axe! The Secret History of Sláine the Warped Warrior.
Carlos Ezquerra was the co-creator of Judge Dredd, Strontium Dog, Rat Pack, Major Eazy and many other fan favourite characters, he designed the classic original Dredd costume as well as visually conceptualising Mega-City One. In addition to these credits he also illustrated A.B.C. Warriors, Judge Anderson, Tharg the Mighty, and Cursed Earth Koburn amongst many other stories. Outside of the ‘Galaxy’s Greatest Comic’, Ezquerra illustrated the first Third World War episodes in Crisis magazine, and become a regular collaborator with Garth Ennis, working on Adventures in the Rifle Brigade, Bloody Mary, Just a Pilgrim, Condors, The Magnificent Kevin and two special Preacher episodes. He died in 2018 but his profound influence on the world of comic art cannot be overstated.
Publisher: Rebellion (January 9, 2020)
Length: 208 pages
!Unashamedly polemic in its approach, and touching on everything from environmental politics, to food monopolies, to state surveillance, 3WW pre-empted the obsessions of current online activists by some quarter of a century" -- Ian McQuaid
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